Example D · Basis · 5 pages Fictional business, website by SGS · Why does this site work? · also Example A · Example B · Example C · ← all examples · Nederlands

About us

A studio in the old bakery

Lichtspel is the studio of stained glass artist Charlotte Wijnalda, in the old bakery on Voorbeeldstraat since 2009. Together with carpenter Sietse Oudshoorn and apprentice Liselot we restore windows from all over the region and make new work.

Close-up of hands soldering a lead joint with a soldering iron on a stained glass panel with amber and ruby glass, on a lit light table in the studio
Full-size working drawing on the workbench with numbered pieces, cut glass in amber and green on top, lead came, a glass cutter and horseshoe nails

here the bread used to be displayed, the light table now stands. The big shop window faces north. That light hardly changes during the day, and that’s what you need to choose glass: sunlight makes every amber look better than it is.

At the back are the racks. Four hundred colours, from clear cathedral glass to mouth-blown ruby. And the glass bank: crates of old glass from demolished houses, sorted by colour and thickness. That’s where we find the piece that fits your window.

In 2009 Charlotte had one work table and a soldering iron. Now there are three of us, and windows come from all over the region. Listed buildings, flats, terraced houses and now and then a church.

What we don’t do: rush the lead. A panel that’s been leaded properly will last another hundred years. So it’s fine to wait a month for your window.

Stained glass artist in her mid-forties, linen apron, holding a piece of mouth-blown ruby glass up to the light of the big studio window, racks of glass sheets in the background
Charlotte at the shop window, with a sheet of ruby flashed glass.

Under a lamp every blue looks the same. That’s why we only choose glass in daylight.

Charlotte Wijnalda

Who’s at the table

How we work

From photo to window, in six steps

This is how a restoration goes. For a new window, a sketch and a cartoon come in between.

  1. 1

    Photo

    Send a photo from inside, with daylight behind it. Then we can see cracks, loose joints and how far the panel bulges.

  2. 2

    Visit and rubbing

    We measure up and make a rubbing: an imprint of the lead on paper, so every piece goes back in its place later.

  3. 3

    Temporary pane

    Sietse takes the panel out and fits a temporary pane the same day. Your house stays closed up.

  4. 4

    In the studio

    On the light table the panel comes apart. Every piece is cleaned; what’s broken we replace from the glass bank. New lead, soldering, cementing.

  5. 5

    Refitting

    The panel goes back in the rebate, with new putty. Or in insulated glass, if that’s what you chose.

  6. 6

    Check after a year

    Twelve months later we check for free that everything still sits tight in the rebate.

Studio promises

Come and have a look on Saturday

On Saturday the door is open from ten till three. Bring a broken pane, or message us a picture first, and we’ll pick out some glass from the glass bank in advance.